In 1977, Ellsworth Kelly (born 1923) unveiled a series of molded handmade paper images that spilled beyond the crisp geometry and pristine monochromes for which he was well known. Irregular textures, pools and drifts of color, and meandering edges are celebrated in the 23 prints from the Gallery's collection.
December 16–May 19
East Building, Ground Floor |
Untitled (I Am a Man)
is the Gallery's first painting by Glenn Ligon (born 1960). A reinterpretation of signs that were carried by 1,300 striking African American sanitation workers in Memphis in 1968, made famous in Ernest Withers' photographs of the march, this small, roughly made painting combines layers of history, meaning, and physical material in a single dense, resonant object.
East Building, Concourse
www.nga.gov/collection/acquisitioninfo.htm |
PUBLIC SYMPOSIUM
Tony Smith at 100
He studied architecture at the New Bauhaus in Chicago and apprenticed with Frank Lloyd Wright, but Smith (born 1912) was largely self-taught as an artist. This symposium explores the career of this prolific sculptor with illustrated lectures by Harry Cooper, curator, National Gallery of Art; Eileen Costello, editor and project director, The Catalogue Raisonne of the Drawings of Jasper Johns, The Menil Collection; and Charles Ray, artist. This program is held in collaboration with Kiki Smith, Seton Smith, and the Tony Smith Estate. (Image: Courtesy of the Tony Smith Estate)
December 1, 1:00–4:00
East Building Concourse, Auditorium
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CHILDREN'S FILM
Powers of Ten
Iconic American shorts by designers Charles and Ray Eames and computer programmer and mathematician Al Jarnow include the Eames' Powers of Ten (1977), Toccata for Toy Trains (1959), and Tops (1969). Screened by episode on early childhood television series such as Sesame Street and 3, 2, 1 Contact, Jarnow's animations are as familiar as his name is unknown. Classic titles from the 1970s include Cosmic Clock, Autosong, and Paper Origami. Total running time 55 minutes. (Ages 6 and up) (Image: Still from Cosmic Clock)
December 1, 10:30; December 2, 11:30
East Building Concourse, Auditorium
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FILM SERIES
Known for composed long takes with an acute sensitivity to out-of-frame sound, Benning's films and high-definition recordings are intense studies of places, travels, landscapes, and more recently, individuals. He visits the Gallery to present three programs of his films, presented in association with the exhibition The Serial Portrait: Photography and Identity in the Last One Hundred Years. (Image: Still from
small roads,
courtesy of James Benning)
December 8, 2:30, 4:30; December 9, 4:30
East Building Concourse, Auditorium
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LECTURES
In honor of the exhibition Roy Lichtenstein: A Retrospective, artist Laurie Lambrecht—who worked as a studio assistant for Lichtenstein—joins Harry Cooper, curator, National Gallery of Art, for a conversation, Roy Lichtenstein in His Studio,
on December 9. Avis Berman, a writer, art historian, and consultant for oral history for the Roy Lichtenstein Foundation, visits the Gallery to present Roy Lichtenstein: Voices from the Archives on December 16. (Image: Avis Berman, copyright Miriam Berkley)
December 9, 12:00; December 16, 2:00
East Building Concourse, Auditorium
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National Gallery of Art
6th Street & Constitution Avenue NW Washington, DC 20565 | Map Hours: Mon-Sat 10am-5pm, Sun 11am-6pm Admission is always free
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